BIOGRAPHY
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David Lindwall was born in the blond and blue-eyed country-(side) in 1982 to a
mother forced to continuously alter her outlandishly tall but very skinny boy's clothes.
Sick of all that sowing Mother Lindwall informed boy Lindwall that he needed to
learn to sow and there in adolescence his fashion education ended. At just 15 Lindwall
left home to study chemistry, maths and physics in the city.
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By 19 Lindwall was knocking around London and had started selling his self-made
designs with his odd mix of references; black metal, medical fetish, sportswear and fanzine
illustration all wrought on skinny denim and other secondhand finds, overloaded with zips.
Lindwall would also produce the odd torn plastic ball-gown complete with Biro doodles.
Collections like: Kill City with its medical references and drip tubes , Fashion is a
Freedom Crime (http://www.fashionisforfashionpeople.cjb.net/) a collection based on the
battle between good and evil and Rather be Dead than Fit in Your System were sold in
London's sadly deceased, landmark store Pineal Eye.
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Lindwall's Swedish 6'4” ectomorph frame got him cast in a Dior Homme campaign,
a spell as an international modeling nomad with no permanent home followed. Lindwall
lived between; Barcelona, London, New York, Los Angeles and Tokyo and toured as
one half of Stunners International, a DJ partnership named after the dingy East London
transvestite club they started off in.
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Upon meeting Johan Lindberg founder of J-Lindberg, the fearlessness of youth meant
Lndwall thought telling Johna he could have 'thrown the same, party ten times better,
for half the money' was a wise move – and you know what - it was! A week later
Lindwall was installed in J Lindberg's studio where in 18 months he'd worked his way
up to Senior Designer.
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By 25 Lindwall was a fully revved up DJ-ing, modelling, fashion designing cliché of
twenty-first century success. Having hoovered up all that planet fashion can put out
and loving it, the moment came when Lindwall got bored. He had to stand up for what
he, not others believed in. It was time to dare to think: art, conspiracy theory, corruption,
fashion, hip-hop, power, and rock n' roll and to feel anger not helplessness.
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This is David Lindwall, Reborn, 1982. The start of a new era.

words and special thanks to/by Daryoush Haj-Najafi (motha fuckka)

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PHOTO BY CHRISTOFFER FAGERLI
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